Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings 

Co-director, curator 
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram



Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield

2024 Speaker, Talking Sculpture: Dialects of Making, symposium & exhibition in association with TSM: Talking Sculpture Making at Vessel Gallery, York St John University. Keynote: Dr. Grizelda Pollock. Curated by Dr. Charlotte Cullen 

2023 Paper Contribution: ‘The shelled gastropod: trans-corporeality in necro-ecologies’ as part of the Trans Ecologies Symposium, Department of Geography at Durham University. Co-led by Dr.  Sage Brice & Dr. Felix McNulty

2023 Journal Article, ‘Epitaphic Readings: Diagrams as (Re)incarnations’ 2023, published as part of Performance Research Journal (PRJ) Volume 27, Issue 7 ‘On Diagrams and the Diagrammatic, edited by Dr. Andrej Mircev. Published by Routledge, Taylor & Francis Ltd 







Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings

Co-director, curator
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram


Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield


and waters carry it, 2023

performance: rocks, steamer, galvanised stainless steel pan, moseley bog water, microscopic algae slides, paper, metal racks, hot plate, card. 

The work responded to the archaeological site of Moseley Bog and ancient burnt mounds found at Coldbath Brook which functioned as Bronze age saunas circa 3000 years ago.

‘It is thought that these stones were heated on a fire and had water poured on them to create steam [...] This would have been done in a structure made from wooden poles covered with animal skins known as a bender. Similar structures are known to have been used all over the world as a means of cleansing, as spiritual centres, as places to hold meetings and for healing.’ 

Birmingham & Black Country Wildlife Trust. 

and waters carry it was performed at ‘If It Thunders on All Fool’s Day’ at Eastside Projects, Birmingham, UK. Curated by Dinosaur Kibly