Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings 

Co-director, curator 
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram



Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield

2024 Speaker, Talking Sculpture: Dialects of Making, symposium & exhibition in association with TSM: Talking Sculpture Making at Vessel Gallery, York St John University. Keynote: Dr. Grizelda Pollock. Curated by Dr. Charlotte Cullen 

2023 Paper Contribution: ‘The shelled gastropod: trans-corporeality in necro-ecologies’ as part of the Trans Ecologies Symposium, Department of Geography at Durham University. Co-led by Dr.  Sage Brice & Dr. Felix McNulty

2023 Journal Article, ‘Epitaphic Readings: Diagrams as (Re)incarnations’ 2023, published as part of Performance Research Journal (PRJ) Volume 27, Issue 7 ‘On Diagrams and the Diagrammatic, edited by Dr. Andrej Mircev. Published by Routledge, Taylor & Francis Ltd 







Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings

Co-director, curator
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram


Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield


Watercolour, 2017–2018

Watercolour was an international (e)mail art project in which five pieces of white A4 paper were placed on five coloured seas around the world: the Red Sea, White Sea, Black Sea, Yellow Sea & Green(land) Sea, by participating artists and scientists to create five conceptual ‘watercolours’.

Contributions were received from Dr. Ramona Marasco (King Abdullah University of Science & Technology (KAUST), Saudi Arabia, Professor Alexander Tzetlin, Dr. Nickolay Usov & Konstanin Biyagiv (White Sea Biological Station), The Russian Federation, Professor Ali Muzaffer Feyzioglu (Karadeniz Technical University) Turkey, Nick Hobbs (an artist based in Istanbul, Yujin Ju (an artsit based in Seoul, The Republic of Korea, and Professor Lena Håkansson (University Centre Svalbard (UNIS) Norway. The substrates were chemically analysed using X-Ray Flouresence Spectrometry by participatory scientist Robert Ashurst (University of Sheffield) and through Opitcal Microscopy by Professor Clare Woulds & Dr. Karen Bacon (University of Leeds).