Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings 

Co-director, curator 
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram



Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield

2024 Speaker, Talking Sculpture: Dialects of Making, symposium & exhibition in association with TSM: Talking Sculpture Making at Vessel Gallery, York St John University. Keynote: Dr. Grizelda Pollock. Curated by Dr. Charlotte Cullen 

2023 Paper Contribution: ‘The shelled gastropod: trans-corporeality in necro-ecologies’ as part of the Trans Ecologies Symposium, Department of Geography at Durham University. Co-led by Dr.  Sage Brice & Dr. Felix McNulty

2023 Journal Article, ‘Epitaphic Readings: Diagrams as (Re)incarnations’ 2023, published as part of Performance Research Journal (PRJ) Volume 27, Issue 7 ‘On Diagrams and the Diagrammatic, edited by Dr. Andrej Mircev. Published by Routledge, Taylor & Francis Ltd 







Victoria Emily Sharples

Artist & researcher
︎︎︎necro-ecologies, posthumanist performativity, (im)materiality, space-time matterings

Co-director, curator
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

Co-led of NMRG (New Materialist Reading/Research Group)
see: @nmrg.uod

︎︎︎ NECROLOGY OPEN CALL 2025

About
Instagram


Upcoming / Recent ︎︎︎

2025 NMRG in partnership with Playing Feilds & Haarlem Artspace, Wirksworth. Curated by Sharples

2025 Rebecca Halliwell-Sutton at GLOAM, Sheffield. Curated by Sharples

2025 Tora Hed at GLOAM. Curated by Sharples

2025 Freehouse, Birmingham X GLOAM, Sheffield


Roo Dhissou: Courses for Dis-Course(s), 2023

Curated by Sharples.

Dhissou conjured up space for dining, eating, cooking and gathering. The project included a series of exhibitions and dining events for British South Asian artists. The exhibition explored who gets a seat at the table, the politics of orthodoxies, the art space, the home, the kitchen and the gallery by presenting a new body of sculptural, functional and architectural works that employ a variety of British Asian visual languages, culinary traditions and materiality. Langar Thalis inlaid with gut health tips, Cha stations, posh tea sets, Manjis, Rugs, Yoga Mats, seed charts, tablecloths embroidered with political and theoretical texts. Questioning how hosting through conviviality, cooking, eating together and conversation can create complex spaces for complaint, lament, bonding, stickiness, nuance, and the opportunity to be both comfortable and discomforted in our differences, similarities and oppositions. Courses for Dis-Course(s) was a partnership led by artist Roo Dhissou, GLOAM (Sheffield) and Primary (Nottingham), as part of Primary’s Nourishment programme, a long-term project that delves into food justice, nourishment, growing and sustainable food systems. With thanks to: 5tara, Kavitha Balasingham, Miranda Corral, Modern Clay, Fred Hubble, Tom Harris, Rebecca Beinart, Jade Foster, Colette Griffin. This project was supported by Arts Council England. 

Photographs: Sancha