Victoria Emily Sharples

Artist & researcher
︎︎︎posthumanist performativity, forensic architecture, necro-ecologies, (im)materiality, organic-machinic, technoscientific

Co-director, curator 
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

About
Instagram



Upcoming / Recent ︎︎︎

2024 Performance, Twenty Truant Shapes with Nathan Walker at GLOAM, Sheffield. Curated by Sharples. Featured as part of the Sheffield Showcase Festival.

2024 Exhibition at GLOAMLocusts of the Sickly Sun with Speculative Proxy, Alexandra Searle & Joel Wycherley. Curated by Victoria Sharples. 

2024 Speaker, Talking Sculpture: Dialects of Making, symposium & exhibition in association with TSM: Talking Sculpture Making at Vessel Gallery, York St John Univeristy. Keynote: Dr. Grizelda Pollock. Curated by Dr. Charlotte Cullen

2023 Paper Contribution: ‘The shelled gastropod: trans-corporeality in necro-ecologies’ as part of the Trans Ecologies Symposium, Department of Geography at Durham University. Co-led by Dr.  Sage Brice & Dr. Felix McNulty. 

2023 Journal Article, ‘Epitaphic Readings: Diagrams as (Re)incarnations’ 2023, published as part of Performance Research Journal (PRJ) Volume 27, Issue 7 ‘On Diagrams and the Diagrammatic, edited by Dr. Andrej Mircev. Published by Routledge, Taylor & Francis Ltd. Publication Date June 12 2023) ︎︎︎ 







Victoria Emily Sharples

Artist & researcher
︎︎︎posthumanist performativity, forensic architecture, necro-ecologies, (im)materiality, organic-machinic, technoscientific

Co-director, curator
︎︎︎GLOAM (gallery & studios).
see: gloamgallery.com/

About
Instagram


Upcoming / Recent ︎︎︎

2024 Performance, Twenty Truant Shapes with Nathan Walker at GLOAM, Sheffield. Curated by Sharples. Featured as part of the Sheffield Showcase Festival.

2024 Exhibition at GLOAM: Locusts of the Sickly Sun with Speculative Proxy, Alexandra Searle & Joel Wycherley. Curated by Victoria Sharples.

2024 Speaker, Talking Sculpture: Dialects of Making, symposium & exhibition in association with TSM: Talking Sculpture Making at Vessel Gallery, York St John Univeristy. Keynote: Dr. Grizelda Pollock. Curated by Dr. Charlotte Cullen.

2023 Paper contribution: ‘The shelled gastropod: trans-corporeality in necro-ecologies’ as part of the Trans Ecologies Symposium, Department of Geography at Durham University. Co-led by Dr.  Sage Brice & Dr. Felix McNulty.

2023 Journal Article, ‘Epitaphic Readings: Diagrams as (Re)incarnations’ 2023, published as part of Performance Research Journal (PRJ) , Volume 27, Issue 7 ‘On Diagrams and the Diagrammatic, edited by Dr. Andrej Mircev. Published by Routledge, Taylor & Francis Ltd. Publication Date June 12 2023) ︎︎︎

Roo Dhissou: Courses for Dis-Course(s), 2023

Curated by Sharples.

Dhissou conjured up space for dining, eating, cooking and gathering. The project included a series of exhibitions and dining events for British South Asian artists. The exhibition explored who gets a seat at the table, the politics of orthodoxies, the art space, the home, the kitchen and the gallery by presenting a new body of sculptural, functional and architectural works that employ a variety of British Asian visual languages, culinary traditions and materiality. Langar Thalis inlaid with gut health tips, Cha stations, posh tea sets, Manjis, Rugs, Yoga Mats, seed charts, tablecloths embroidered with political and theoretical texts. Questioning how hosting through conviviality, cooking, eating together and conversation can create complex spaces for complaint, lament, bonding, stickiness, nuance, and the opportunity to be both comfortable and discomforted in our differences, similarities and oppositions. Courses for Dis-Course(s) was a partnership led by artist Roo Dhissou, GLOAM (Sheffield) and Primary (Nottingham), as part of Primary’s Nourishment programme, a long-term project that delves into food justice, nourishment, growing and sustainable food systems. With thanks to: 5tara, Kavitha Balasingham, Miranda Corral, Modern Clay, Fred Hubble, Tom Harris, Rebecca Beinart, Jade Foster, Colette Griffin. This project was supported by Arts Council England. 

Photographs: Sancha